Boat Blind Plans
I usually contribute posts about French boats to this blog, but when I heard last week that Sparkman and Stephens, the most illustrious yacht design firm of the 20th century, had moved, after more than 80 years on Madison Avenue, NY, to new premises on the Connecticut shore of Long Island Sound, I thought I would feature an S&S design in this post to mark the historic occasion. Cunningly, though, I managed to find an interesting S&S boat with a very French story.The fashion brand Lacoste is so well known all over the world that its easy to forget its French origins. Rene Lacoste was a French tennis champion, winner of 7 grand slam titles in the 1920s and 30s, whose nickname, "the alligator", was the inspiration for the logo on his tennis shirt - the first of many products marketed under the now famous Lacoste name. In 1985, the house of Lacoste, by then a global byword for sporty fashion goods, took the bold step of extending their brand into yachts - not just any yacht, of course - Lacoste yachts were to exemplify style, performance, and comfort, so naturally they went to the worlds most respected yacht architects for the designs.
Sparkman and Stephens designed at least two boats for Lacoste. One, a motor yacht, never went into production. Another, the Lacoste 42, a fast cruiser/racer, was built and marketed for Lacoste by the Dufour yard at La Rochelle. Though a very handsome, stylish and capable vessel it was not a great success in sales terms - only 12 were ever builtLooking at the photographs and drawings of the Lacoste 42, I think I can guess why sales were disappointingly slow. The boat suffers from a seriously split personality. On the outside it is a very high performance racing yacht, with a tall, narrow, complicated rig, a race-crew oriented deck layout and an aggressively honed, IOR-rating-tweaked, short fin and vestigial skeg underwater profile; inside its a de luxe holiday home with 3 double bedrooms, (each with ensuite facilities), a large galley and a spacious and comfortable saloon.
I imagine most of the marina posing types, who could have been attracted to the stylish and comfortable interior, would run a mile from the race-bred rig with its three-spreader mast, running backstays, hydraulically tensioned standing backstay and 2 inner forestays (one is detachable to ease tacking - the two guys on the foredeck in the publicity shot below are leaning against it).
Conversely, few of the hard-core racing crews capable of handling the big rig with its huge headsails and spinnakers would be likely to appreciate all the comforts of the double beds and triplicated shower and heads compartments.
Aside from that, the marketing and management suits at Lacoste probably knew little about the unglamorous wet, cold and bruising side of yacht racing, and the salt-stained welly-boot boat jockeys at Dufour equally little about fashion marketing - in short, a perfect recipe for a marketing flop. None were built after 1992, even though the Lacoste name was dropped and the yacht was rebranded as the Dufour 42.
A pity, really, because according to the accounts of owners and crews that you can find on internet forums, the Lacoste 42 made an excellent, long-legged cruising yacht. Even now, it seems that when they do come on the market they tend to sell for very good prices.
Lacoste/Dufour 42
LOA: 42-2"
LWL: 35-9"
Beam: 13-0"
Draft: 7-6"
Displacement: 16,538 lbs
Ballast: 7,124 lbs
Sail Area: 748 sq ft
Colour image right: a very handsome Lacoste 42 recently sold by Ancasta International Boat Sales.
Plans and drawings: Sparkman and Stephens
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Golif was designed by Jouet with one eye on the American market, where the management believed they could sell a lot of boats. They had probably been helped considerably in their objective by the earlier successful transatlantic voyages of Jean Lacombe, in a plywood Jouet Cap-Horn. Apparently the companys market research suggested that the Americans favoured rather more interior comfort than the European market was used to, and that stiffness under sail and transportability by road would be important qualities for US buyers. Some of the Golifs characteristic features, such as its panoramic cabin window, shoal draft, relatively light displacement and high ballast ratio, stem directly from these market-related requirements.
Even today, Golifs looks seem rather quirky, though the underwater hull shape and the rig appear conventional. At the time, however, Golifs rig was considered rather tall and narrow, and the aluminium mast was in those days quite an innovation on a small cruising yacht. The odd pinched shape of the coach roof seems to have been intended to maximise the width of the side decks, but without sacrificing headroom in the places below where you might want to stand. Thus, with perfect French logic, there is low headroom over bunks and seats, where you sit or lie down, but there is plenty of headroom over the central passage and galley area, where you stand or walk. As the Jouët company said, this deck was designed from the inside!
Some versions of the Golif were delivered with an optional deeper keel for racing performance. These boats were excellent performers in offshore races and won many prizes, but it was a perfectly standard Golif that achieved the greatest fame for the class. In 1964, Jean Lacombe who had been Frances sole entrant in the 1960 Observer Singlehanded Transatlantic Race (OSTAR), returned to repeat the feat in a Golif, once again the smallest boat in the competition. This was the year of Eric Tabarlys first triumph, so Lacombes achievement was rather overshadowed by the acclaim and fanfares garnered by the winner. Nevertheless, Lacombes Golif took joint pride of place, alongside Tabarlys Pen Duick II at the centre of the 1965 Paris Boat show. 
