Boat Plans Stitch And Glue | Westerly 22 Young Tiger

Boat Plans Stitch And Glue

CMDR Denys Rayner 1943

Loch Nevis 7 August 1904
This image is from C.C.Lynams The Log of the Blue Dragon 1892-1904, London: A. H. Bullen 1907. The photo was taken in 1904 by Lynam of his family sailing in Loch Nevis - which is heaven in Gaelic. My seafaring mentor Denys Rayner, who read the book when at school, wrote that it infected him with "the sailing canker"
Denys Rayner shared Lynam’s preference for yachts in which the skipper removes ‘grease off a plate covered by the cold gravy of the mutton-chop’, keeps a cabin tidy and scrapes ice from its roof before dawn. Lynam was among the first to enjoy a kind of yachting that did not include much larger boats than the Blue Dragon - 25 foot, 2.2 tonnes - and did not rely on paid hands or wearing blazers and caps and racing. He pre-dated by 20 years Kenneth Grahams 1917 remark through Rattie about the pleasures of messing about in boats in The Wind in the Willows. I respect people who race around the world in sailing boats, but I find the idea of circumnavigating without stopping the opposite of how a small boat should be enjoyed. I have sailed across the Atlantic in a 22 footer but one of the tests of seamanship is finding and getting in and out of a multitude of different harbours and anchorages. Just as Lynam enthused Rayner, so Rayner infused me with the joys of visiting lots of places in small boats

25 August 1997 on the River Orwell at Sea Reach near Harwich on the UK east coast, of Rayners first design Robinetta launched in May 1937

Westerly 22

The 22 was offered with either a Bermudian or Gunter rig, but Rayner was a champion of the Gunter rig, citing both its ease of handling and what he felt were superior sailing characteristics.

Rayners friend Jack Hargreaves noted British Broadcaster, was an enthusiastic supporter of postwar family sailing and the boats then being designed in Britain for everyman". Here he is aboard Young Tiger.

Young Tiger setting out for the Americas

Here she is in Bequia, having been safely sailed across the Atlantic by two relatively inexperienced sailors, Simon Baddeley (Hargeaves stepson) and Sue Pulford. They first landed in Barbados, the crossing taking 29 days.

Years later Simon Baddelly was able to track down his beloved Young Tiger in 2007.

Denys Rayner had a rather distinguished career a Naval officer in the RNVR, fighting throughout the Battle of the Atlantic in WW2. But he is likely to be more for his achievements as a yacht designer. His life and service are well worth reading about and I found especially poignant the care he and his took of less fortunate souls after the war. Read the wiki.
His father was a racing yachtsman but at an early age Denys realized that he was more interested in cruising, his imagination fired by C. C. Lymans The Log of the Blue Dragon. After a succession of small boats and cruises therein, Rayner in 1937 was able to design his own boat, Robinetta, and cruise the Western Highlands as had Lyman.
After the war Denys was able to return to his experiments with yacht design and adding manufacture. Like others in postwar Britain, he turned his attention to plywood and the design and building of small, trailerable craft with accommodations for a small family. Along with other designers, notably Robert Tucker, he helped enable a boom in small boat sailing which democratized the once elite sport by making it more accessible to the growing middle class. He also experiment with twin or bilge keels, allowing very shoal draft boats, a system discovered by Arthur Balfour.
In 1963 Rayner founded Westerly Marine and began building in GRP or fiberglass. The firms first design was the Westerly 22, based on his earlier Westcoaster. In 1965 a scheme was hatched. Young Simon Badderly, a family friend, and a companion, Sue Pulford, would sail a 22 to America, where Simon was to take a position after finishing his schooling. The boat was Young Tiger, the voyage a successful one which earned Simon the RCC Challenge Cup for a cruise in a small boat. Simon and Sue made the remarkably uneventful passage in 29 days, confirming Denys Rayners conviction that these were very seaworthy boats, indeed. There is a full account of that cruise, as reported in the pages of the Royal Cruising Clubs Journal for 1966 at 70.8%.
Westerly Marine went on to become at one time the largest boat building firms in Britain and have a very active owners group. The 22s continue to be quite popular, and can still be found in the UK and US, and probably further afield. A later Jack Laurent Giles design, the 26 Centaur, became the companies best selling model.

Much thanks to Simon Baddelly for the use of his material. Simon is soon off to Corfu!

Do you find information about Boat Plans Stitch And Glue are you looking for? If not, below may help you find more information about the Boat Plans Stitch And Glue. Thank you for visiting, have a great day.

Read More..

Boat Plans And Kits | Pen Duick II and The French Sailing Revolution

Boat Plans And Kits

Back in the early 1960s France was still recovering from a war which had left many of its cities in ruins, its businesses broke and its economy on the rocks. To make matters worse there were deep divisions in French politics and the overthrow of the government in a military coup detat seemed a possibility at times.

In this climate its not surprising that yachting was regarded as a minority activity. There were, anyway, few facilities for yachts except in places where foreign-owned boats came to visit. The idea of owning and sailing a yacht for pleasure would have seemed elitist, expensive, and impractical for the ordinary French man or woman.

If you sailed to any French harbour in the late 1950s or early 60s you would have seen no more than a handful of private yachts, most of them old and somewhat tatty. In Britain, yachting and offshore yacht racing was already booming, and British designers like Laurent Giles, Robert Clark, Peter Brett, Arthur Robb and C E Nicholson had become world famous for their robust and capable ocean racers and cruisers.

Then a Frenchman with a French boat won a famous French victory – and everything changed.

In 1964 Eric Tabarly with his remarkable ketch Pen Duick II (thanks to Remi Jouan for the above image) laid the foundations for the extraordinary boom in French yachting which has resulted, more than 40 years later, in France having a 37% share of the global market for sailing yachts, most of the worlds biggest yacht building businesses, many of the worlds most famous and successful yacht designers, a domestic leisure boat market of 8 million users - the second largest leisure boat market in the world after the USA - and a virtual monopoly on long-distance short-handed ocean racing superstars.

Eric Tabarly was a tough, handsome sailor, an officer in the French Navy, who was passionate about sailing and utterly determined to win the Singlehanded Transatlantic Race. Nowadays we think of “Le Transat” and other long distance races as French, but the original race in 1962 was an all-British idea, conceived by a British eccentric, Blondie Hasler, organised by the Royal Western Yacht Club, and sponsored by the Observer newspaper.

Francis Chichester had won the first race in 1960, and was favourite to win again. His yacht was a 40 foot Robert Clark ocean racer, solidly built and carrying a big cutter rig. Tabarly, an unknown in international yachting circles at the time, conceived a 44 foot purpose-built, light displacement ketch. She was built, simply but strongly in plywood with a double chined hull, and her rig was designed for power combined with good helm balance and ease of sail handling. However, no one had raced singlehanded in such a big boat before and most experts gave him little chance of finishing.

Tabarly stamped his authority on the race at an early stage. His determination to win was evident from the moment he launched an 900 sq ft spinnaker soon after the start (to the surprise of all who thought you needed a full crew for that kind of sail) and opened a huge lead over the rest of the fleet in the first couple of days.

He was handicapped by a number of gear failures. His self-steering gear jammed, forcing him to steer the boat by hand for many more hours than he had expected, his cheap alarm clock stopped working, making it difficult for him to keep to a sensible rest schedule, and his log rotor was bitten off by a dolphin. In mid-Atlantic his jib halyard block broke and he had to climb the mast to replace it. Nevertheless, Pen Duick II crossed the finishing line first in a record time of 27 days 3 hours, almost a full 3 days ahead of the pre-race favourite, Francis Chichester. Another Frenchman, Jean Lacombe finished in 9th place in his tiny GRP “Golif”. (More on this boat in a forthcoming post). (photo: Pen Duick II nears the finish line of the 1964 OSTAR: AFP/Getty Images)

France cheered the new hero. He was immediately awarded the Legion dHonneur and returned home with Lacombe to a rapturous reception. Suddenly the French media and the French people took an unprecedented interest in yachting, new small yacht designs appeared from new French designers and new factories, money was found to build sailing schools and marinas, and France set a course towards domination of the European yachting industry.

In the next Observer Singlehanded Transatlantic race, in 1968, there were no less than 9 French entries, then 13 in 1972 and 31 in 1976. In 1984 out of the top 10 finishers, 8 were French. These days the “Transat”, as the race is now called, is dominated by French sailors, French boats, and French sponsors.

After the 1964 victory, Pen Duick had a busy and wearing life as an ocean racer taking part in many fully crewed races, during which Tabarly trained a formidable number of apprentices such as Alain Colas, Marc Pajot, Olivier de Kersauson, and others. These graduates of his informal sailing college became the next generation of great French ocean yachtsmen. Eventually Pen Duick was sold to the Ecole Nationale de la Voile at Quiberon, but after a short time, and a serious grounding, she was taken out of service and laid up ashore at the school gates. It wasnt until 1993 that a campaign to restore this famous boat was mounted, and with financial support from the government, the French Navy, the regional council of Brittany and others, she was restored to perfect condition. (colour photo above with permission of Remi Jouan)

Pen Duick II is now based at Quiberon and is used as a busy training vessel during the summer months and an occasional exhibit at the Cite de la Voile Eric Tabarly centre at Lorient in Brittany.

Pen Duick II

Designer : Gilles Costantini, Eric Tabarly

Built 1964 by Costantini at La Trinité, Brittany.

LOA : 13 m 60

LWL : 10 m

Displacement : 6.5 Tons

Beam : 3 m 40

Draft : 2 m 20

Rig : Ketch

Sail area : 60 m2

Construction : Hard chine plywood

Do you find information about Boat Plans And Kits are you looking for? If not, below may help you find more information about the Boat Plans And Kits. Thank you for visiting, have a great day.

Read More..

Boat Plans Bruce Roberts | Elizabeth Copper Ore Barge

Boat Plans Bruce Roberts

An unusual although no less deserving and interesting boat, sadly neglected was brought to my attention by Tedd Gregg, who kindly sent in these photos and history.



Ted writes, "Lying on the shore of Lake Windermere ajacent to the Steamboat Museum is the Barge Elizabeth . Though now a ruin she is surely worth a mention.



Elizabeth was built in 1839 at Windermere by a local boat builder. She was built for the Coniston Copper Mines Company to transport Copper Ore down the six miles of Lake Coniston. There she would be off loaded and the Ore carted to the nearby estuary to be loaded onto Sailing Ships for the ore refinery in South Wales.



Alas her duties as an ore carryer were short lived, with the coming of the Railway in 1849 Elizabeth became redundant and she lay unused for the next thirty years, until she was purchased and taken back to Lake Windermere in 1880 and put to use as a Sand and Gravel Barge for a number of years .



Elizabeth was beached many years ago and is now in a very sorry state but quite unique, she is double ended, of 50 feet in length, with a beam of 12 feet.

The photos were taken by myself and are being used in my endeavours to build a model lookalike on behalf of the Steamboat Museum.

Even in her dilapidated state Elizabeth shows her fine lines and the interesting juxtaposition between the details of her construction and the ravages of nature moving inexorably to reclaim her.

We look forward to seeing Teds model (a follow up post perhaps)

Do you find information about Boat Plans Bruce Roberts are you looking for? If not, below may help you find more information about the Boat Plans Bruce Roberts. Thank you for visiting, have a great day.

Read More..

Boat Plans Arch Davis | Sacré Cinquo! – is the 505 really French

Boat Plans Arch Davis

Amazingly the 505 dinghy, still one of the most exciting performance boats in the world, is close to celebrating its 60^th birthday. Is it French or British in its origins? Its a long story – but one thats worth telling in the full version.

Certainly the 505 was designed by British naval architect, John Westell, and equally certainly most of the early hulls were built by Fairey Marine at Hamble Point, but the 505 was not, in fact, the boat that John Westell originally set out to design, and it would never have seen the light of day had it not been for a group of enthusiastic French dinghy sailors.

In 1952 the IYRU announced a competition to select a two man dinghy class to be given International, and Olympic, status. The sailing trials held on a lake at Loodsdrecht in Holland were won by the Flying Dutchman, but the national sailing associations of Britain and France were not happy with the choice, arguing that the FD was too heavy and powerful a boat for crews of average size and weight, especially in the open waters around the French and UK coasts.

The objections were heard, and new trials were organised at La Baule, in France, in 1953. Among the new prototypes competing was an attractive 18 footer with a cold moulded hull. This was John Westells Coronet design, and it was the talk of the event, not just because of its revolutionary lines and good looks, but also because of its sparkling performance.

John Westells Coronet No. 1

The Coronet was an 18 foot boat with almost 200 sq. ft of sail area. It caught the eye of many of the worlds top dinghy sailors at La Baule, partly because of its beautiful cold moulded hull, relatively narrow waterline beam, and built-in buoyancy side tanks, but mostly because of its wide flaring topsides, which gave it a futuristic speedboat-like look, quite unlike any of the other boats present.

It was said afterwards that the trials were weighted in favour of the 20 ft Flying Dutchman. Only the FD had two boats present, while all the other classes were represented by a single example. This meant that the FDs could split at the start, to sail different sides of the course, while the rest of the fleet had to guess which side would pay best. It was quickly apparent that the Dutchman had only one rival. The FDs are said to have had a slight boatspeed advantage on the beat, but the Coronet, with its lighter weight, smaller genoa, and lower wetted surface was quicker to tack and accelerate, so windward honours were divided. The Coronet planed more easily and was faster downwind, however. The two Dutchman crews had the advantage of being able to team race against the rest of the fleet, and, in particular, their only real rival, the Coronet. Whether this was fair or not, the 2 FDs finished the trials with a combined total of more wins and places than any other class, but the Coronet was, by a comfortable margin, the leading individual boat, and, in fact, dominated the series convincingly.  

The Flying Dutchman once again got the nod from the IYRU committee. Westell was informed the Coronet could apply for International status once 100 examples had been built, but no further Coronets were ever built and the sole example was sold to an East African sailor.

This could have been the end of the story, but for the enthusiasm of some of Frances top dinghy sailors who recognised a good thing when they saw it.

This is said to be 505 No. 1 (probably K1).  Notice the flat topped side tanks and transom mainsheet

Soon after the trials, a group of French helmsmen from the French Caneton (Duckling) class which had been represented but seriously outclassed on the water, got together to discuss the outcome and found themselves unamimously in admiration of the looks and performance of the Coronet. The Caneton was a hotly contested development class in France, with some of the countrys best helmsmen, and relatively free rules on construction techniques and hull form. There was a general consensus that a shorter version of the Coronet could make an excellent, more restricted, one-design version of the Caneton class, so the President of the Caneton Association, Alain Cettier, approached John Westell to ask if the Coronet design could be made to fit the Caneton rule. Westell quickly produced plans for a modified Coronet, to fit the 5 metre +1% maximum overall Caneton gauge.  

The plans were accepted by a Caneton technical committee meeting at the end of 1953, and the Caneton 505 became an official French National class before a single boat had been built!

Within weeks the first 505 was under construction in a workshop at the back of a photographers studio in Paris.  The builders, Messieurs Bigoin and Labourdette, both Caneton sailors, managed to scrounge the wood and tools, but the hull turned out to be slightly too wide to go through the workshop door, so the doorframe and some masonry had to be removed before the 505 could emerge! Caneton 505 Number 1 was launched on the Seine at Meulan at Easter in 1954, and tested by several of Frances top sailors. At the end of the holiday weekend Cettier found himself with orders for 10 boats!

The original Coronet had been built by John Chamiers Tormentor yard at Warsash on the Hamble river, but Cettier found that Fairey Marine, across the river at Hamble Point, could produce the hulls cheaper and more quickly, using their hot moulding process in which the hulls were “baked” in a large autoclave oven to cure their advanced aeronautical glues.

These first bare hulls were nested together and delivered to France where they were finished by the Sampson yard at Sartrouville and by Mallard at Les Mureaux, both on the River Seine.  

Meanwhile, Fairey were turning out their own finished version of the “Five-O” for sale in Britain, as well as other bare hulls to be finished by customers or by other yards, in particular Tormentor just a few yards away across the Hamble River. By August there were enough 505s sailing to hold a Franco-British challenge regatta at Ouistreham in Normandy.

505 No 8 (France) Note the rolled tanks and cutout transom

The early French boats did not feature the characteristic rolled side tanks that we associate with the 505, but certainly some of the very earliest boats finished by Fairey had them, and in time they became a trademark feature of the class. These, and the characteristic flared topsides make the Five-O a relatively comfortable boat to sail, as there is no sharp edge to dig into the crews legs, and spray, or at least some of it, is deflected away from the boat and the crew.

The first boats had wooden masts, but the class rules allowed for all kinds of development in the areas of construction materials, interior layout, running rigging, shaping of foils, etc., and the top boats in the class on both sides of the channel were soon sporting Proctor alloy spars, open transoms, centre sheeting, and other innovations. The astonishing performance of the 505 soon brought it to the attention of sailors all over Europe and the World, so the class spread quickly as new racers took up the class, and new builders took on construction.

Notice the class burgee?  It carries both the Coronet and Caneton insignia

By 1955 with over 100 boats sailing, the 505 bcame an International class in its own right. The first fibreglass hulls started to appear in the latter part of the 1950s, initially composite boats with wooden decks, transoms and side tanks, later, builders like Lanaverre in France and Parker in Britain would produce hundreds of all-plastic boats.

Since the class rules allow all kinds of materials, provided essential hull dimension and minimum weight limits are adhered to, the 505 has always been in the forefront of construction technology. Nowadays hulls and spars are of carbon fibre, and stiff hydrodynamically profiled foils promote planing even to windward, but even with all their scarily modern equipment, the modern 505 is still recognisably the same boat as the one that Parisian photographers door had to be knocked down for in 1954.

Some bullet points:

• Both the Coronet and 505 were designed from the start for a two man crew with a trapeze.
• John Westell sailed the Coronet in the IYRU La Baule trials and one of the 505s in the first 505 class regatta at Ouistreham.
• The International 505 Association burgee still carries the Coronet and Caneton insignia in recognition of the origins of the class
• More than 9000 boats to the 505 design have now been registered
• The magazine "Cahiers du Yachting" donated the wood for the first boat
• Daniel Mazo was the photographer whose doorway in the Boulevard Saint-Martin had to be “modified”
• The 505 is known in France as the “Cinquo”
• The first 505 originally carried the Caneton sail insignia with the class number 1701
• The topsides flare from 1.24m beam at the waterline to 1.88 at the gunwhale, increasing vastly the power of the trapeze while keeping wetted surface area low at non-planing speeds.
• Fairey Marine built more than 200 hot-moulded wooden 505 hulls.
• The 505, with all its spars, rigging and racing equipment, can be towed by a Citroen 2CV!

International 505 Racing Dinghy, "Le Roi du Dériveur "

Designer:  John Westell

Length:   5.05 meters  

Beam:    1.88 meters  

Weight:  127.4 kilos  

Sail Area:

Main  12,30 sq. m.  

Jib  4,94 sq. m  

Spinnaker  27 sq. m. (originally 20 sq.m) 

Do you find information about Boat Plans Arch Davis are you looking for? If not, below may help you find more information about the Boat Plans Arch Davis. Thank you for visiting, have a great day.

Read More..

Boat Plans Building | Muscadet the French peoples boat

Boat Plans Building

Philipe Harlés Muscadet is a French legend. In the early 1960s the Muscadet helped “democratise” the sport of sailing, making ownership of a real coastal cruiser affordable for the ordinary working man. There were, of course, other designs, many from the drawing board of J-J Herbulot, that were as affordable and as capable, but it is the Muscadet, with its instantly recognizable profile, its startlingly good offshore performance, its sheer numbers and its longevity that must take the honours as the real French “peoples boat”.

What is most surprising about the boxy little Muscadet is that, as well as being a capable and roomy small family cruiser, it turned out to be an exceptional mini ocean racer. Its outstanding successes in this field could be compared to a VW Beetle winning the Monaco Grand Prix and the 24 Heures Du Mans. (Yes, I know about Herbie, but that was Disney comedy, the Muscadet is a real life champion!).

To start at the beginning, Philippe Harlé was working at the Glénans Sailing School where he was in charge of boat maintenance. A new motor supply shuttle was needed for the cash-strapped, island-based school, so Harlé designed it and oversaw its construction himself. Naturally he was then the obvious choice to manage the construction of the schools new offshore training yacht, Glénan, designed by the great John Illingworth.

These two projects provided Harlé with such fulfillment and excitement, that he recognised his future lay in yacht design. At the end of the proving voyages of Glénan, trials which involved taking part very successfully in a couple of RORC races (9th and 2nd places – in spite of the boat starting its first race two hours late, its fit-out still unfinished, and the boat so underprovisioned the crew all lost 7 or 8 pounds in weight), Harlé bumped into Louis Blouet, a businessman and enthusiastic offshore racer. Blouet mentioned that he was about to commission Illingworth to design a new ocean racer, and the young Philippe impulsively offered to design the boat himself. Blouet, rather surprisingly, agreed. This was 1962 and Philippe Harlé was now a naval architect!

In spite of this encouragement, Philippe was still working at the Glenans when the prototype of his next design, the Muscadet, was launched at the Aubin yard in Nantes during February 1963. Built in plywood with a single hard edged chine, its reverse sheer and high slabby topsides unrelieved by ports or other features, she must have looked unusual to say the least. Claude Harlé, Philippes wife, thought it ugly, and taking a tin of anchovies from her larder as a template, she traced three oblong porthole openings on the Muscadet plans. With these windows and a broad contrast stripe painted under the sheerline, the Muscadets looks were marginally improved, and the boat sailed, with little further preparation, across the Bay of Biscay from Nantes in heavy weather, to take part in a One-Of-A-Kind Rally organised by a yachting magazine at La Rochelle.

The crews of the competing yachts may have laughed at the little "soap box” as they called the Muscadet, but they stopped laughing when she outsailed bigger and much more expensive boats and left them all with a good view of her most boxy feature – her almost square transom. That year two further Muscadets sailed to the Glénans, where they were trialled by many of the staff and trainees and excellent reviews were published in the Glénans journal. Muscadets performance both on and off the wind, especially in a choppy sea, was judged outstanding, and her fine seakeeping and sailing qualities, together with her low cost, soon led to a very full order book for the builders, Aubin, and to Philippe giving up his job and setting up shop as a Naval Architect in his Paris apartment.

You have to like a man who names most of his work after alcoholic drinks. Philippe Harlé started this sequence in 1963 with the Muscadet. By the time of his untimely death in 1991, more than 50 of his designs were named in this fashion, including Armagnac, Cognac, Scotch, Aquavit, Gros Plant, Cabernet, Sancerre, Pineau, Sauvignon and Sangria.

At any time in the 1960s or 70s, a yachtsman visiting France would have noticed the proliferation of the Muscadet class. it was taken up by individuals and clubs all over France, and its amazing ability to make fast passages in rough water, often with 4, or even more, on board (the French love to sail in company) impressed the crews of larger, more traditional British cruising yachts who would find Muscadets turning up in the Channel Isles, the Scillies, the English south coast ports, and even the south-west of Ireland.

The combination of good performance and low initial cost was unstoppable. Young people could afford to buy boats that were equally as capable of winning races and of making offshore passages as the larger boats that had hitherto been thought the minimum requirement. In 1977 when already around 750 Muscadets were afloat, the first Mini-Transat singlehanded race for yachts of 6.5 metres overall length was announced. This race, though conceived and organised in Britain, attracted a large number of young French entrants, and 6 out of the 26 starters were sailing Muscadets, even though the design was already 14 years old.

5 Muscadets finished the gruelling race from Penzance to Antigua in the West Indies. The first 3 of them finished 4th, 6th and 11th. The last of them was in 16th place. Muscadets were still well represented in the 1979 race in which Philippe Harlé himself came fourth, sailing a Gros Plant, a slightly modified and modernised version of the Muscadet design. Another Gros Plant finished 2nd, while the lowest placed Muscadet was in 17th place out of 32 starters.

Although the Muscadet continued to prove its ability in offshore races throughout the 1980s (there was at least one Muscadet in every Mini-Transat up until 1991), the new generation of Mini 6.50 offshore racers, including designs by Harlé, eventually made it uncompetitive. However, the class remains, to this day, highly popular in French waters as a family cruiser and one-design regatta racer.

The strict one-design class rules include two unusual stipulations. First, the crew must be good company and willing to take part in parties and social events organised by the regatta committee. Second, the boat must have at least one full bottle of Muscadet on board at the start of the race, and one full bottle on crossing the finish line.

Muscadet designed by Philippe Harlé
Built 1963 - 1979, over 750 produced by Aubin, 1000+ examples in total.
LOA 6.4 m
LWL 5.6 m
Beam 2.26 m
Draft 1.12 or 0.75/1.25
Displacement 1200 kg
Ballast 520 kg
Sail Area 25.05 m2


Sources, Photo Acknowledgements and Links:

All Boats Avenue, Association des Propriétaires de Muscadet, Ouest-France, A & P Aubin Brochure, and the official biography "Muscadet, Armagnac, Sangria... : Philippe Harlé, architecte naval", by Claude Harlé and Dominique Lebrun.

Do you find information about Boat Plans Building are you looking for? If not, below may help you find more information about the Boat Plans Building. Thank you for visiting, have a great day.

Read More..