Plywood Boat Plans
The French designer, Philippe Starck is best known for his furniture and kitchen gadget designs, including his iconic lemon juicer. He is not, as far as I know, a naval architect, yet the most exciting and, to my mind, most beautiful of the worlds billionaire mega-yachts has its origin on Starcks drawing board. Starck, whose work ranges from designing boutique hotels, the Virgin Galactic “spaceport” as well as that stylish juicer, claims to have come up with the idea for “A”, as the yacht is called, in 3½ hours. Naval architects, including Britain’s Martin Francis, and Blohm and Voss, the German shipbuilders, then took over and adapted the design project.
Starck always insists that form must follow function – in other words the purpose for which an object is designed should dictate its shape. This 5,900 ton, 390 ft. yachts shape is reminiscent of a battleship crossed with a submarine. Evidently Starck appreciated that a yacht is, in essence, a big boys toy, and that for this big boy, Russian billionaire owner Andrey Melnichenko, 36, only the biggest, “baddest” looking toy battleship on the boating pond would do.
Apart from sheer stylish looks, the clean lines of the exterior answer another function – that of security. The lack of any external features such as rails, handholds, or openings makes it very difficult for pirates or other undesired visitors to board the ship. For the same reason, the helicopter pad on the bow is easily rendered unusable by extending a telescopic mast through the deck. Clamshell doors hide all the access points, including the garage for the 2 launches, extending harbour gangways and even the anchor cable fairleads. The yachts twin engines deliver 24,000 hp for a 24 knot cruising speed and a 6,500 mile range. Accommodation includes a palatial (quite literally) owners suite, 6 luxurious double guest cabins, and quarters for 37 crew plus 5 of the owners personal staff, secretaries, assistants, etc.
The yacht is variously said to have cost $200 to $300 million. Crew salaries, maintenance and running costs are unlikely to be less than another 5 to 10 million a year. So, its not enough to be very rich indeed - Wayne Rooney rich, for instance - to own this yacht. You need to be able to spend twice Waynes annual salary, every year, just to run it. Fortunately for Mr. Melnichenko, whose wealth is conservatively estimated at $2-3 billion, he can. 
Obviously the interior décor is super palatial. I wont even try to describe it. You can find more details in the Wall Street Journal video and on the sites to which I have linked below. But the accessory I really like, and which makes me warm greatly to the scarily rich Mr. Melnichenko, is the uncompromising design of the yachts twin 30 ft. motor-launch tenders. He could easily have bought a couple of off-the-shelf plastic speedboats, and in spite of the fact that each one of these beauties probably cost as much as a very nice house in Torremolinos, he clearly would have nothing that was not rare and spectacular for his yacht. This, for Mr Melnichenko was probably no more of an extravagance than my purchase of a pair of shiny bronze rowlocks, instead of perfectly serviceable plain galvanised, for my 10 ft rowing dinghy. As another great designer once said, “God is in the detail”.
Links:
Italian saint-andres blog story
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When stories are told about the early days of short and single-handed long distance ocean racing, the names of Chichester, Hasler and the French hero Eric Tabarly are the most easily remembered. Its often forgotten that only one Frenchman took part in the first Observer Singlehanded Transatlantic race - and it wasnt Tabarly.
Lacombes “Cap-Horn” was a compact weekend family cruiser of 21ft overall, built by Jouet, a well established boat building firm in Sartrouville, on the River Seine. It was a design that, though simple, was rather more sophisticated than the type of basic small cruising boat that was becoming popular in France in the 1950s, when the influential Glenans Sailing School began to turn out a few dozen enthusiastic young sailors every summer. 
The plywood Herbulot designs of the day, simple, compact, practical and inexpensive, were emblematic of French sailing in the 50s and early 60s. Just a year after the first OSTAR, however, Frances first all-GRP production cruising boat emerged from the Jouet factory, and Cap-Horns strong and lightweight cold moulded construction suddenly seemed old fashioned and labour intensive compared with the new high-tech material. 
Cap-Horn built by P. Jouet & Cie, designed J. J. Herbulot
